The Films of Petula Clark
Vice Versa

Released January 1948
Fantasy - 111 minutes

     Mr Bultitude is returning his reluctant son, Dick, to boarding school when he announces he wishes he were a boy again. Being in the possession of the Garuda Stone, a magical Indian treasure, his wish is granted. Moments later his son takes the stone and wishes to be an adult. So the two swap roles and lives, but as they both live out their desires, they get slightly more than they bargained for.
     Petula's role is that of the schoolmaster's daughter, Dulcie, to whom the boy, Dick had been most attentive the year before, and is heart-broken by the priggish behavior of the father.


Roger Livesey ....................
Kay Walsh .........................
Petula Clark ...................
David Hutcheson ...............
Anthony Newley ................
James Robertson Justice ....
Patricia Raine .....................
Joan Young .........................
Vida Hope ..........................

Paul Bultitude
Florence 'Fanny' Verlane
Dulcie Grimstone
Marmaduke Paradine
Dick Bultitude
Dr. Grimstone
Mrs. Grimstone
1st Nanny

  • Written and directed by Peter Ustinov
  • Based on the novel by F. Anastey
  • Remade in 1988 starring Judge Reinhold and Fred Savage
  •      Peter Ustinov at twenty-six is just the right age to direct Two Cities' Vice Versa, for F. Anstey was twenty-six when he published the book. That was way back in 1882, but this classic of late Victorian humour comes to life on the screen with its preposterous situations and absurd characters as fresh as ever they were, and with a little modern something added for good measure by Peter Ustinov and his co-producer George Brown. Making this light-hearted frolic must have been as much fun as seeing it on the screen, especially as the cast included an elephant, four white mice, one Pekinese dog, one seal, a troop of monkeys, a 1912 vintage car and actors dressed in all the strange sartorial elegance of the 'eighties. But. amusing as such a collection might be, there was work to be done too, and at times this varied cast was a little difficult. The Pekinese, for example, was required to take a violent dislike to Roger Livesey, who plays Paul Bultitude. This was beyond her powers, and indeed she loved him from the first! But as she was chosen from fifty applicants for the part, it seemed a pity to replace her; so, one way or another (but don't ask how!) she was persuaded to attack Roger tooth and claw, and as the film shows, she was then a very formidable Pekinese indeed.
          Paul Bultitude is a pompous and prosperous stockbroker. One chilly evening in the year 1890 he is saying goodbye to his elder son, who is returning unhappily to boarding school. Fatuously he expresses the wish to become a boy again. At the same time the boy wishes to be a man like his father; and because he is holding a jewel stolen years before from an Indian temple, the miracle happens. The schoolboy Dick becomes Paul Bultitude. The reluctant stockbroker, who has suddenly been turned into a knicker-bockered boy, is hustled off to school by the butler - his son becomes head of the prim Victorian household.
          Dr Grimstone, the headmaster, is scandalised by the 'boy's' antics. His daughter Dulcie, to whom the real Dick was most attentive, is heartbroken. His school fellows, amazed by the behaviour of the prig that 'Dick' seems to have become during the holidays, proceed to deal with him as only schoolboys can. At home in London, 'Paul' gives children's parties on a lavish scale, flirts with the parlourmaid, wards off his father's shady lady friend, Mrs Verlayne, and starts a motor car factory in partnership with his reprobate Uncle Marmaduke, who stole the temple jewel. At length, 'Dick' escapes to London. With the help of his younger son and the magic stone he reverses the situation. Once more Paul becomes the real Paul - and Vice Versa.
    Brit Movie Review

  • Entertaining comedy about Victorian stockbroker Livesey and his schoolboy son Newley, who change places after wishing on a magic stone. Parts of it are silly, but much of it is inspired and hilarious. Justice is great as a hypocritical headmaster; Ustinov also wrote the script. Predates the father-son "comedies" of the 1980s.
    Leonard Maltin
  • IMDb

  • "Dulci" and "Dickie"

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